Saturday, March 27, 2010

Krasinski Update

Krasinski is just about finished...all that is left is the lace work at the collar and atop the scarlet facing, his boots, some ground work and the final metallic highlights. There are some buckles I need to address, but I'll wait to do those last since I want to make sure all the oils around them are pretty dried.

I need to touch up the lines and add the highest highlights to the white jacket, but for the most part he's about 85% complete.

I've tried to mix a combination of metallic and nonmetallic effects on this figure to give a little contrast and to make the metallic effects pop a bit more.











Saturday, March 20, 2010

Karsinski

He's coming along nicely; I have finished the metal parts today, and started to work on the cartridge belt. I chose to go with a white belt vs. a silver one mostly because there's so much silver on this figure already, I wanted a bit more contrast. I've gone with a cooler tone for the belt so it would contrast against the white of the jacket.

I finished the "weave" of crimson through the sash, and will touch it up before I hand it off to the collector.

I started the white lace embroidery at the collar, turn backs and at the lapel. I haven't decided if I'll use oils or acrylics for the pattern. It's an intriguing pattern and I really have to think through how I'll pull it off free-hand at the 54mm scale...

Saturday, March 13, 2010

Krasinski in progress

Here is where I am with my latest; the crimson pants and white parts of the jacket are finished. All is left is to bring out the highest highlights on both the pants and jacket. I've also finished the cartridge belt and need to outline it once I have the facings finished.

For the crimson tone of the pants I mixed alizarin crimson with a touch of viridian. I highlighted with cadmium red light and shaded with alizarin crimson and a touch of purple.

For the white part of the jacket I mixed yellow ochre, mars black and titanium white for the base color. For the shadows I mixed less of the titanium white and for the highlights, mixed titanium white and flake white.

Up next are the gloves and boots...

Friday, March 12, 2010

Here's my latest...I'm working on a tremendous figure from LeCimier; it's a 54mm of Krasinski.

He's painted in the traditional manner of oils over acrylics (he's a commission piece, and haven't gotten to the point where I am comfortable enough with painting a commission piece with the black undercoat...), and using the wet on wet technique. I've finished the pants and have the first shadows and highlights done on the fleshtones. I'll deepen the shading and apply the highest highlights later today to the face. I'm using the non-metallic metallic technique that Lou Masses developed for acrylics, but I've adapted it to oils. I'll use printers ink on a the buttons and some of them metal inserts of the scabbard, but for the most part, I prefer the effect of the non-metallic metallics.

More to follow!